a paper in apa format
MASBEDO

Videomobile

Artist’s note

We transformed an old OM van of the 1970s into a “video wagon” to visit places of the cinema of the past, to investigate Sicilian society and the history of the Palermo area. The project “physically” runs through and crosses memory, specifically the memory that emerges from investigative cinema. The Videomobile has been restored, rebuilt and “customized” by us with cameras, screens, lights, sound system, etc., in order to allow film production and video projections. It is a totally autonomous vehicle, free to move around, to reach any place, to stop anywhere. Videomobile is a moving studio: it functions in fact as a laboratory and stage for performances, some of which will be realised live during the Biennale. Before the opening of the Biennale, Videomobile instead hosted several of our performances on the open theme of cinema in Palermo.
When on show, Videomobile is a modular and accessible video installation, a narrative device on various monitors and screens. We wanted to create a multi-channel documentary work, whose content is essentially a conceptual and social reinterpretation of still topical cinema themes. We have elaborated images that reveal the dynamics of power and the socio-cultural changes hidden in Palermo’s present, paying particular attention to themes such as the sense of belonging or genius loci and faith in utopias. The first phase of our research was the creation and filing of interviews with characters who have worked in cinema in an almost anonymous or marginal form, with secondary characters, such as make-up artists, extras or technicians. A second phase of our research replaced the latter with better known and important figures such as directors, intellectuals, producers or politicians. A third and last phase included some of these figures in the realisation of performances produced with our Videomobile in the streets and squares of Palermo where cinema was and still is a protagonist. We could therefore claim to have realised a sort of performative tour, a journey in some sense, through the world of images of De Seta, Mingozzi, Antonioni, Gregoretti, Baffico, Rosi, Pasolini, Letizia Battaglia, Mimmo Cuticchio and many other directors, authors and artists who have succeeded in creating other worlds in the city of Palermo.

Video and audio performances with: Letizia Battaglia and Aurora Cipolla, Yuki O, Maziar Firouzi and Giancarlo Parisi
Editing and post production: Genny Petrotta
Sound Recordist: Mirko Cangiamila
Tribute to Comizi d’amore music: Giancarlo Parisi
Tribute to Vittorio De Seta music: Yuki O
Looping music: Davide Tomat, Gup Alcaro
Il Trionfo della Morte music: Davide Tomat, Gup Alcaro
Project Manager: Luca Bradamante
Organization and location manager: Genny Petrotta
Runners: Domenico Palmeri, Adriano La Licata
Set Photographer: Genny Petrotta
 
Welcome Palermo with: Salvo Cuccia, Nicolò Scalzo, Gabriello Montemagno, Suor Cornelia, Gioacchino Lanza Tomasi, Franco Alaimo, Raffaello Piraino, Salvatore Di Giovanni
Writers: Bad Ciccio Lino Ganci, Pizzetta, Tutto e Niente, M., Daniele Messineo
Editing and post production: Cristina Sardo
Music and audio post production: Davide Tomat, Gup Alcaro
Project Manager: Luca Bradamante
Organization and location manager: Genny Petrotta
English translations: Lucian Comoy
Comunication / Press Office: Lara Facco
 
We thank Evelina De Castro and the Museo Regionale Abattelis for granting permission to use the image of the “Il Trionfo della Morte”.
 

June 29, 2018